Track By Tracks: Parallel Minds - Every Hour Wounds .... The Last One Kills (2019)
1. Every Hour Wounds:
This is the instrumental intro of the album.
The goal here was to create a small musical summary of what to expect on the
rest of the record. So the first half is very Thrashy, fast and intricate,
whereas the second half is much more open and melodic. It sets the stage for
what’s to come.
2. The Last One Kills:
The first full song. Just like Every hour
Wounds, this song is a good summary of the whole album and has a lot of our
trademarks : Thrashy and complex guitar riffs, wicked fast double bass stuff,
aggressive and powerful lead vocals, but also a very melodic and catchy chorus,
and a more atmospheric and laid back middle section with its melodic guitar
solo.
The lyrics deal with a lot of what’s wrong in
our world today, corrupted politicians, religions and brainwashing medias. I
guess our message here would be : Question everything and don’t blindly follow
what people tell you to follow. Be your own guide in life.
3. Amerinds:
This one talks about the tragedy and slaughter
of the Native Americans during the European colonization. A very heavy subject
matter.
The music here is a bit more Power Metal than
some of the other songs we have, and also has a little bit of Progressive
elements with its Phrygian riffing and odd time signatures on some of the
parts.
4. On Your Own:
This one is a bit more laid back, and slower
than the rest of the album. It’s not really a ballad though, as it’s still
pretty heavy and dark sounding. Just like some of the other songs on the
record, we started with Steph’s original vocal melodies and we built the music
around it, so the vocals are really the main focus here.
The lyrical theme is Solitude, and the idea
that no matter how surrounded you can be, there will always be moments in your
life when you will feel desperately lonely. The melancholic vibe of the music
portrays that feeling very well.
5. I Am C:
This is another Thrashier number. The guitars
and bass are tuned very low, so the overall sound is much darker and sinister
than the other songs. There’s a bit of a Nevermore inspiration there. We wanted
to experiment a bit more with the vocals and the different layers, so it’s not
your typical Thrash Metal straight forward song, it has a bit more of a “twist
and turn” aspect that makes the song different and interesting.
We wrote that song right after the Charlie
Hebdo terrorist attack in France, so the lyrics and music refers to that tragic
event. Another heavy subject matter.
6. Syria:
This is one of the 2 “epic” songs on the album.
It obviously talks about the Syrian Civil war and migrants. Steph took a more
personal and emotional approach with the lyrics. It’s really about leaving your
home and everything you’ve ever known behind, and facing the unknown and the
uncertainty.
Musically we built the song with a very
Progressive structure, kinda like what Metallica did with “One”. Starting with
a nice acoustic and intimate intro, and adding more and more layers as the song
progresses until a very climatic and bombastic ending.
We are fortunate enough to have both Kobi Farhi
(Orphaned Land singer) and Yossi Sassi (Orphaned Land ex-guitar player) on
guest on that song, and they made the song extra special ! A big thank you to both
of them !!
7. How:
This is our more Rock n Roll driven song, with
a more bluesy yet super heavy vibe à la Black Label Society. The contrast
between that and the more Melodic Metal aspect of the chorus and prechorus
makes that song really cool and special.
Similarly to The Last One Kills, the song is an
observation of the flaws of our modern society, where people sometimes value
money and their latest smartphone more than they value people.
8. The 52hz Whale:
This is the other “Epic”, and one of the
highlights of the album.
It’s a very progressive and atmospheric song,
and has kind of a more Folkish vibe. Yet the guitars and drums are still very
loud and Heavy. The vocals are very layered and have a bit of a Blind Guardian
influence, especially on the chorus. We experimented a lot of that song,
especially with the arrangements, to make it as grand and memorable as
possible.
The lyrics were inspired by a documentary we
read about a whale that was unable to communicate with its siblings and the
other whales, due to an unusual pitch with its singing, and was thus condemned
to live alone for the rest of its life. We thought about telling that very sad
story as a metaphor for people dealing with loneliness in their lives, and the
struggles they face.
9. Kolyma:
It’s the closing track and one of the very last
song we wrote. This one is the fastest, thrashiest and the most intense song
we’ve ever written. The riffing and drum work is insane, and the vocals are
very aggressive as well. It really was the perfect song to finish the album.
The Russian choir gives the song a very ominous feeling.
Kolyma is the name of a road built under
Staline’s reign, by Goulag’s prisoners. Most of them died because of the cold
during the construction of Kolyma and their bones became part of the road. Such
an intense story asked for a very intense song.
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