Track By Tracks: Alizarin - The Last Semblance (2020)
1. Elegy Simulacra:
The opening track to the whole album and lead single, this one packs an otherworldly
punch. It captures many of the sounds that Alizarin projects, the dark and brooding
tones, the unorthodox chord progressions, walking the line between consonance and
dissonance. Thematically, “Elegy Simulacra” considers the conflict between an artist’s
desire for pure expression and the pressures of an increasingly fraudulent internet
culture. The song is one of the fastest pieces we’ve ever presented, wrought with many
twisting dynamics. By the time the tune is complete the listener will feel they’ve been
on one mind-bending journey, fully setting up the rest of the record.
2. Fathom:
“Fathom” is a strong contrast to the opening track . It is a bit slower, more introspective,
with an almost dreamlike mood throughout the piece. Fathom is told from a third
person perspective, describing apprehensions to the increasingly digital realm we live in
and a simultaneous desire to seek out simpler and more elementary satisfaction.
3. A Wreath of Temperance:
The third song on the new album continues to venture in different directions from the
previous ones. It covers a variety of styles, and moves from dark acoustic passages with
haunting vocal harmonies to some of the heaviest riffs on the album. The lyrics are more
of the fantasy side, describing a person holding secretive knowledge who is taken
captive. The prisoner knows that if the secret is revealed it will have extremely dire
consequences, so he chooses a life of imprisonment instead.
4. Velvet Margin:
“Velvet Margin” is the most drastic contrast from most of the other tracks on the
record. Driven by haunting vocal lines, expressive counter harmonies, and layered
acoustic instrumentation, the song arguably contains some of the most melodic and
memorable passages on the album. In many ways it is some of the most uncharted
territory for Alizarin, letting the vocals drive a lot of the music and focusing even less on
flashy or over the top instrumentation. The closest thing to a “ballad” we have, although
we tend to steer clear of that term.
5. Heirloom:
This song brings the listener back to a progressive metal realm. It is one of the most
heavy-hitting, catchy, and melodic tunes that also captures many of the approaches we
incorporate. “Heirloom” almost steps into power metal territory, while still holding a
firm footing in groove-oriented progressive metal. Thematically, the song considers the
timeline of humanity and our intellectual evolution. It looks at humans as emotionally
charged and proud “adolescents” of sorts on this timeline, with a long way to go to find
a more harmonious existence, if that time ever arrives.
6. Zero Sum:
The next chapter of ‘The Last Semblance’ takes us on a darker, more dissonant ride. This
song is packed with keyboard riffs interwoven with a labyrinth of guitar lines. The verses
really pull at the listener’s ears to build tension until the chorus counters with long,
cascading melodies. The lyrics contemplate a “chase” sequence, the act of eluding, with
a balance of gains and losses between the involved parties.
7. Attenuation:
We arrive at the most grand, and perhaps ambitious, track on the album. It is the
longest piece and possibly best defines our version of heavy cinematic music. It
immediately kicks off with a three piece vocal harmony that utilizes almost the entire
band, with a direful piano stringing us along underneath. The song continues to charge
along, with many dynamic shifts. The climax of it all takes us to a particularly emotional,
soaring, and wordless vocal melody, before collapsing into an outro of drama-laden
piano. The theme of “Attenuation” draws from various fictional influences (such as the
film Jacob’s Ladder, original version) and other personal ideas. It considers the value of
life, of our own and how others perceive our worth. Our expectations within our own
lives fosters demons, and lead to a progressively hellish living nightmare. That is, until
we learn to relinquish expectations, achieving true worth, and finally learn to live.
8. The Ivory Silo:
The final piece on the album ties many of the styles from the other tracks. It tends to
unfold in phases and probably has some of the most “prog” moments on the record.
Another fairly long tune, this one is driven by upbeat rhythms, a monstrous keyboard
riff, all before evolving into a climactic outro with all kinds of musical nerdiness, and
keyboard leads aplenty.
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