Track By Tracks: Provectus - Postero Mundi (2022)
1. Gloria Dolorem:
The opening track of the album is really something that pushes various elements that normally
would clash together. This is to make a message clear " We are coming". You can hear these
deep desolate organs playing deeply beneath while a section of more pagan
instruments comes in. A sort of Christian - Pagan clash... to describe it the best. Then the
narrative kicks in and describes sections of our last album towards our new album in a very
metaphorical yet cosmical-based way.
2. Postero Mundi:
The first band played track that hits the mark right after the intro. Going from a rhythmical style
to explosive parts in the song, while also having a big moment of flowing melancholy near the
middle section. In general, it keeps its pace going forth, while also maintaining that overall
aggression. Postero Mundi is really a track that taps both aggressive and desolate traits overall,
"what makes it a great opener".
3. Aetherflow Dimensions:
A slower-paced track at first that switches slow and fast tempos with wider rhythmical riffs. It
really transitions in a heavy yet subtle way towards the full-on melodic riffs,... while it keeps
building towards this grand break. From here on you hear a lot of open and melancholic-sounding
elements. "It's really such a flow that drags you in". The up-tempo pace is regained and rhythm
is building towards the guitar solo for a moment of pure chaos. Then it moves back to more
power and aggression again to keep that hatred-fueled flow going.
4. Bane of Existence:
Opens with a clean intro where every band member kicks in subtle one by one. The almost
dreamlike melancholic feel of the intro is backed up with synths to give u more of that early
"Immortal Vibe". Black & Roll vibes kick in after the intro and build forth in the same way at a
faster pace. Dragging you in by the slow yet strong nature of the riffs, it follows up with way
more aggression and slightly more melody. Once we reach the middle section of the song the
Black & Roll vibes go maximum with a nasty and heavy break that really punches on. Bane of
Existence really is a track that has a vast nature, going from "melancholic flowing to very
militant rhythmical aggression" and a variety in between.
5. Lucid Nightmare:
This one is a special track that breaks the album for a bit with a sick and twisted instrumental
haunted atmosphere. It's about having control while in a dream/sleep state... You can hear the
heartbeats almost bouncing out of your chest, and tension rises. While the piano is playing
various elements kick in, from purgatory screams to more nervous-like riffs on a second piano.
The powerful and darker parts where an additional synth kicks in the "Gregorian style male
choir vocals" tops it all off.
6. Torn Fabric of Time:
A saga of a track! This track has the longest running length on the album with a wide array of
variating riffs that hit on the entire E.Q. spectrum. A lot of rhythmical and chaotic structures
are used in the beginning while the narrative is going strong. Then we move to more old-school
riffs that keep the bridge going strong. After the pace shifts in the first section, the bass guitar
compliments the part with a slow and deep melodic solo. The pace is rebuilding after the slower
sections, dragging you into the same chaotic and rhythmical flow. Towards the middle section of
the song, there is breathing room for the listener with melodic touched "Windir style riffs". After
that pure evil kicks in again and shreds forth to a very strong narrative section. Then the track
keeps its same pace until the guitar solo shrieks in. We hit that Windir riff road again with more
speed, swapping between melody and chaos with that epic end touch.
7. Disordered Phenomenon:
Our shortest track of the album with the most aggressiveness over the entire song. It pushes
hard rythmical riffs to moments of militant chopping and otherwise. Heavy from the start with a
transition to more subtle parts and sections, just to explode again! The riffs are followed up by
filthy and bashing Black & Roll, where the bass realy goes mad underneath. "It keeps a strong
momentum going from start to finish".
8. Fractured Entity:
It's a more desolate and disturbing track that has its own dose of insanity while maintaining that
same paced melancholy until it explodes into an epic melodic burst. Opening with a flowing
melancholic style riff where elements of the sea dive underneath... the sound is getting wider,
louder, and bigger until the intro starts. The first section keeps the melancholy going strong and transitions into this theatrical breakdown riff. Followed up by a totally different vibe, it switches
to this fast melodic part that gives that bigger than... moment. And chaos returns with a
breakdown again to build towards this open-flowing second break. "Latin choirs and vocals fill
the space" making the break really something epic. And there we go again, melancholy all the
way until the end swapped with these little mad moments from breakdown elements. A very old-school-sounding solo jumps into the section and kicks in the final long run of melody to break
again.
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