Track By Tracks: Infusimia - Transición (2024)

1. Ganster:

The end of the old era, the culmination of a more orthodox sound, closer to metal. It begins intensely and frantically, leading the way to a determined and fierce vocal interpretation. The zenith of the piece emerges in the instrumental section, with eruptive guitar solos that heighten the piece's frenzy and intensity. The piece ends abruptly.

2. Ancstros:

Deep and introspective piece, it kicks off framed in a key where the lyrics are drawn. A vocal arrangement emerges, harking back to the past and rising from the depths before the chorus shows up, with a surprising riff of irregular meter and a melodic vocal approach, alluding to the powers of nature and the reaffirmation of the concepts of presence and ancestry. What was previously presented is drawn in form and manner, with various signs and arrangements that come to enrich the subsequent sections, until the instrumental, which presents itself as a catharsis and euphoria of what being is. The guitar solo stands out, highlighting the way in which the section flows into the chorus, which depicts itself as a mantra. The song ends with unison shouts of reaffirmation.

3.Spels:

It begins with a violent and overwhelming riff that moves forward like a steamroller, later retreating into introspection, which gives way to the lyrics; to the recognition of affliction and its originator. Through retraction, and by all instruments halting in unison, the principles in the face of affliction are established as a mantra that seeps through every corner, by means of an intense and profound harmony. The chorus, grooveful and energetic, deepens this declaration in the face of adversity, concluding with the sentence: honoring the burning wound, which becomes clear in the voice. Its instrumental section extends and transmutes into a dance full of vigor, where the instruments overlap and jointly enrich themselves, unfolding a landscape where the guitar takes center stage in a devastating and brutal solo that suddenly fades into an ultimate silence for the final section.

4. Dspertar:

It begins with indistinct and unrecognizable sounds that explode in complete unison. An ethereal symphony plays in the initial verses, full of signs and arrangements that enfold in reverie. Introspection gives way to the first riff, from the low tones of the drums, leading to the pattern of the second verse: a kind of uniquely sonorous key that, in cahoots with the other instruments, delineates a feline depth, pure in its hunting virtue. The hunt for something indeterminate. Language is absent, which triggers the chorus, shaping shouts that somehow yearn to be something, so they fight and plead for it. The instrumental represents a unification with the greatness of the unknown, a madness whose core is sustained on being an extension of the voice of the guitar, leading in a final ecstasy into the solo. The coda is a disconcerting ending filled with instrumental signs.