Track By Tracks: Consumed By Vultures - Pseudobiblion (2024)

1. Canto I - Proemio:

Translation:

In the beginning, there was chaos, then came I

born into a world soon to die

yet thanks to me, it revived anew.

Now I wonder if my existence

is a dream or a mere presence

in the vastness of this universe,

which in its infinity feels adverse.

revealing my innermost thoughts.

I battle against twisted emotions

longing for oblivion in the brief moments

This cycle has reached its end

I feel death and destruction near.

As it was and will be at the start

silence will soon return.

The Alpha and Omega, the first and the last, I

Meaning:

In this short poem (in Italian and written in hendecasyllables as the Divine Comedy), the entity summarizes its uncertain origin and the purpose for which it has come to this (undefined) universe. Its task is to put an end to the endless cycles of life and death of certain worlds/universe/reality, as described in our previous album 'In Eterno' (which means 'for the eternity'). During one of its infinite appearances, the entity questions itself and the reason it is sent to end these cycles, ultimately deciding to write a book called 'Pseudobiblion’ in which are described 3 cycles.

2. Canto II - L’albero sacro:

Summary:

The song seems is a reflection on the corruption of divine or spiritual authority, the cycles of creation and destruction, and the possibility of renewal through purity and revelation. The "sacred tree" serves as a powerful symbol of these cycles, representing both life and the cosmic order. The story unfolds in a world where true freedom is elusive, and only those with pure intentions can hope to break free from the illusions and lies that entrap everyone else excepts the elite.

Analysis:

Fall of Freedom and Enslavement: The opening lines depict a world where freedom is an illusion ("!FALSA LIBERTA!") and where a once sacred and powerful symbol (the "great tree") has been corrupted. The "flame slowly dies," symbolizing hope or purity fading as creatures become enslaved.

The Cycle of Power and Bloodshed: The song discusses a race of beings who can "create and destroy everything" and have left their mark on time itself. These beings seem to be the inheritors of an ancient and powerful lineage, but they perpetuate cycles of violence ("Aeons declare peace pouring children’s blood"). They manipulate reality and impose their will on others, leaving the population ("Terrestrials") confused and subjugated.

Blindness and Spiritual Torment: The "divine light" that should be a source of enlightenment instead becomes a source of suffering. The people have lost their ability to perceive ("corpses no longer have eyes to see") and are trapped in a torment of "wrong choices". It is a commentary on how misguided beliefs or corrupt spiritual systems blind people to the truth.

The Quest for Truth: In a world full of lies and solitude, only those with pure souls ("knights") are able to find the path to the truth. These chosen few are depicted as warriors capable of wielding divine weapons and uncovering hidden realities, suggesting that only through purity and courage can corruption be overcome.

Prophecy of Renewal: The shift to Italian is a prophecy. It speaks of apocalyptic signs ("when rivers turn red," "when skies become fiery") heralding the establishment of a "whole new order" and the advent of a "new sacred tree". This tree could represent a rebirth, a return to balance, or a new, maybe corrupted, cycle beginning.

Cyclic Nature of Creation and Betrayal: The closing lines echo a cosmic cycle ("From dust comes life, from life comes dust"). There’s an underlying question of betrayal: perhaps those who once guarded the heavens have failed in their duties, leading to the corrupted state of the world. The "flame gaining power" could represent either a resurgence of hope or the continuation of the destructive cycle.

3. Canto III – Cenere:

Summary:

"Canto III - Cenere" explore themes of existential despair, the consequences of neglect and indifference, and the inevitable downfall resulting from a population's own actions. It paints a picture of a world where hope is lost, and only the echoes of suffering and destruction remain.

Analysis:

Despair and Destruction: The lyrics describe a grim and apocalyptic vision where the world is filled with suffering. The imagery of "macilent creatures" and "grey ash" suggests a world in decay, where hope and light have been extinguished. This paints a picture of a desolate existence where beings are consumed by their own despair and the harshness of their environment. The Italian part is taken from the Divine Comedy (Chant III - Inferno) and it translates: "Here sighs, weeping, and loud wails resounded through the starless air”.

Indifference and Isolation: There is a sense of abandonment and isolation, as no one listens to the cries of the suffering. The lines "nobody listens to them" and "their pain will never be heard" emphasize a profound disconnection between the suffering entities and any form of empathy or intervention. This reflects a critique of society's tendency to ignore or overlook the suffering of others.

Apocalyptic Imagery: The song uses vivid and dark imagery to describe the end times or a catastrophic scenario. References to "dark and tenebrous clouds," "suffocating all the light," and "a heaven without light" suggest a complete collapse of hope and enlightenment, replaced by a bleak and unchangeable reality.

Cycle of Destruction and Rebirth: The lyrics mention the idea of a "renewed seed" that will germinate from the blood of victims, giving rise to "corrupted organisms." This could symbolize a cyclical nature of destruction and rebirth, where new forms of life emerge from the remnants of the old, albeit corrupted and tainted by the previous destruction.

Divine Punishment and Self-Destruction: The notion of divine punishment and lives being consumed by their own actions underscores a theme of self-destruction. The song suggests that population's inability to react or change its ways leads to a self-fulfilling prophecy of doom, where silence and emptiness prevail.

4. Canto IV – Architetti dell ignoto:

Summary:

This piece presents a dark and intense view of cosmic and divine authority, portraying a world where esoteric knowledge and religious zeal justify extreme actions and severe punishments. The song reflects on the interplay between faith, suffering, and the divine, suggesting a grim and uncompromising vision of existence.

Analysis:

Cosmic and Divine Authority: The song begins by invoking celestial power and the idea of a divine, indestructible force. The reference to “a mighty celestial body” rising and anticipating the sun’s light, along with the mention of Venus, suggests a reverence for cosmic or divine entities that exert control over both life and death.

Knowledge and Mysticism: Venus is described as embodying “infinite erudition” and “deep knowledge” wrapped in a “black veil,” hinting at esoteric wisdom and hidden truths. The “divine word” delivered by spirits to the “ethereal people” implies that there is a sacred or mystical knowledge accessible only to a select few.

Judgment and Damnation: The song lists various forms of sin and transgression—atheism, idolatry, blasphemy, fornication, lying, violence, suicide, and betrayal—each met with severe divine punishment (Like in Dante’s Comedy). This reflects a harsh view of morality and justice, where those who deviate from the prescribed path face fiery retribution, drowning in “red streams,” or being consumed by darkness.

Role of the Devout: The “Heavenly architects of the unknown” are revered as symbols to be followed, with adherents living according to their “symbolism” and watching the sky with devotion. This portrays a kind of fanatical adherence to a celestial plan, where the faithful are submissive and see their suffering as part of a grand design.

Sacrifice and Violence: The idea that “life provides blood to honor creation” and that “everything is permitted for your cause” suggests a justification of violence and sacrifice in the name of a higher purpose. The “red moon” as a source of inspiration for mutual slaughter indicates a world where brutal actions are rationalized by divine or cosmic intentions.

Existential Despair: The song’s final lines depict a world in “degradation,” where even with “peaceful mind and body,” individuals offer themselves up in a sacrificial manner. This implies a deep sense of futility and despair, with the notion that violence and sacrifice are inherent to existence in this bleak reality.

5. Canto V – La grande piramide:

Summary:

The song presents a dark and critical narrative of how hidden forces manipulate and control the population, leading to oppression, violence, and eventual collapse. It reflects on themes of corruption, judgment, and the cyclical nature of power. Ultimately, the message appears to be a warning about the consequences of unchecked authority, the dangers of blindly following powerful elites, and the inevitable destruction that comes when society is driven by lies, control, and manipulation.

Analysis:

Control by Hidden Elites: The lyrics describe how the world (the same as Canto II) dominated by powerful forces or secret societies ("those who sit on the Magnificent Thrones"). These forces are portrayed as controlling every aspect of life, dictating fate, and oppressing the population. This is a critique of authoritarian structures, governments, or hidden elites that manipulate society for their own benefit.

Judgment and Retribution: The idea that "il giorno del giudizio è vicino" (the day of judgment is near) introduces the concept of a looming reckoning. Dishonest and corrupt beings are destined to pay the price for their actions, resulting in their own downfall. The lyrics portray this judgment as a cleansing force, eradicating corruption and restoring some form of cosmic justice.

Apocalyptic Revelation: The “truth” being revealed represents an unveiling of hidden realities, possibly the exposure of the lies and manipulations that have governed society. However, this revelation does not bring peace or redemption—it instead leads to the "death of mankind." The fading of darkness suggests a paradox: as the truth emerges, population's destruction is set in motion, hinting that the enlightenment comes at a devastating cost.

Dystopian New World Order: The song touches on the idea of a new world order where powerful elites ("the mighty") continue to control the masses. The imagery of arranged wars and “machine human beings” killing for a so-called “greater good” reflects a critique of the dehumanizing systems that drive people to senseless conflict. This is reminiscent of a dystopian society where people are reduced to cogs in a larger, merciless machine.

Symbolism of the Pyramid and Divine Eye: The repeated references to a "great pyramid covering the Sun" and the "divine eye" emphasize the dominance of these hidden powers. The pyramid, often associated with control and hierarchy, symbolizes an oppressive order that eclipses truth and light (the Sun). The divine eye suggests surveillance, control, and an omnipotent presence overseeing the population’s suffering.

Suffering and Collapse: The song's portrayal of “misery descending” and suffering spreading like an unstoppable force paints a bleak picture of a world trapped in despair. This suffering seems to be an inevitable outcome of the control and manipulation exerted by those in power, leading to widespread decay and collapse.

Birth of a New Regime: Despite the grim outlook, there is mention of "un nuovo regno di luce" (a new kingdom of light) being born. This could symbolize a new era, possibly one built on the ashes of the old world. However, this new kingdom likely isn’t a utopia but a continuation of the oppressive cycle under a different guise.

6. Canto VI – Servi del fuoco:

Summary:

The song paints a bleak picture of a world consumed by madness, despair, and obsession with death. The characters in the song are lost in illusions and corrupted by false hopes, leading them to embrace violence and destruction in a misguided pursuit of redemption. The “servants of fire” become enslaved to destructive forces, carving symbols of their devotion while walking a dark and treacherous path. The song suggests that even in the face of overwhelming darkness, there may be a path to a new era, but it is fraught with suffering and uncertainty.

Analysis:

Illusions and Blindness: The opening lines describe how people find peace in illusions, which ultimately lead them to blindness. This suggests that the comfort people seek in false beliefs, distractions, or delusions prevents them from facing reality. The result is a loss of faith and belief, leaving only nightmares and fears buried deep within their minds. It paints a picture of a population trapped in a state of unconscious denial, where they are unable to see the truth.

Obsession with Death: The lyrics touch on a growing obsession with death, which transforms into a desire for it. This reflects a nihilistic worldview where life loses its value, and death becomes an appealing escape. The population is described as “worthless” and driven by madness, seeking oblivion’s joy through prayers guided by terror and despair. The governing force is pure terror, indicating a world where fear dominates every aspect of life.

Paralysis and Desperation: The imagery of looking up at the sky with “frozen eyes” and being unable to scream or move conveys a sense of helplessness and paralysis. The cold, which prevents any reaction, symbolizes an environment where life is stifled and emotions are numbed. This reflects the despair of those who have lost all hope and struggle to even express their suffering.

Madness and Corruption: The song describes how mirages and false expectations lead to madness, corrupting both the mind and soul. The idea that madness “devours your mind and consciousness” suggests a complete breakdown of rationality and self-awareness. The influence of false hopes and delusions pushes people further into insanity, creating a cycle of self-destruction.

Worship and Annihilation: The command to “worship the flame and burn everything” introduces a theme of destructive devotion. This could represent how people, in their desperation, turn to violent and fanatical beliefs, leading to self-immolation or the annihilation of everything around them. The dead are depicted as agents of destruction, realizing their ambitions through bloodshed and violence. The focus on purification by fire reflects a desire to cleanse the world through destructive means, further emphasizing a nihilistic mindset.

Servants of Fire and Slavery: The repeated references to “servants of fire” highlight a submission to destructive forces. The creation of “a new slavery” indicates that the path toward redemption is actually one of deeper bondage and suffering. Instead of finding freedom, people become enslaved to the very forces they turn to for salvation, carving symbols on themselves as a mark of this submission.

Redemption and New Beginnings: Despite the darkness, the song hints at a form of redemption. The call to “walk the merciless path of redemption” and “rise to greet the dawn of a new era” suggests that after enduring extreme suffering, there may be a new beginning. However, the journey toward this redemption is described as harsh and merciless, indicating that any salvation is hard-won and comes at a great cost.

A Dark Journey Toward Salvation: The final lines describe a “convulsive and dark path” leading between life and death. The imagery of clinging to an “infinite abyss” suggests that redemption requires navigating a perilous journey. The reference to “scintillating flames” at the end of darkness hints at a form of salvation found in fire, but whether it leads to life or death remains uncertain. The path must be walked quietly to avoid angering divine forces, emphasizing the delicate balance between seeking redemption and courting destruction.

7. Canto VII – Encaustum (Papyrus Excelsi):

Summary:

The song portrays how the entity has orchestrated the downfall of the population through manipulation, chaos, and destruction. This being views himself as both a creator and destroyer, reveling in the collapse of civilizations and the suffering of individuals. Themes of betrayal, ritualistic power, mental enslavement, and dark prophecy dominate the narrative, culminating in a call for submission to an inevitable new order. The song reflects on the nature of control and the cycle of destruction and rebirth, portraying a world where suffering and subjugation are integral to existence.

Analysis:

A World Ruled by Darkness and Corruption: The imagery of a “lightless and fathomless” compass, coupled with “grave and contaminated” air, suggests a world plunged into darkness and decay. This reflects a dystopian vision where any guiding principles have been lost, leaving the planet in ruins. The speaker takes ownership of this destruction, proudly claiming it was done by his will, indicating a character who sees himself as an architect of annihilation.

Creation through Destruction: The song’s central figure views his destructive acts as an artistic endeavor—a “holy masterpiece” painted with “sharpened blades.” The language suggests that violence and chaos are not just means to an end but are intrinsic to the speaker’s sense of purpose and identity. The use of scarlet red and pitch black emphasizes the duality of light and darkness, underscoring the cyclical nature of creation and destruction. The bodies of the fallen become “fertilizer for a new beginning,” highlighting the belief that destruction is necessary for renewal.

Betrayal and Chaos: The lyrics portray a world where trust disintegrates: “the brother will become your enemy,” “the friend will betray you with infamy,” and even maternal bonds break as mothers repudiate their children. This breakdown of relationships and moral order is central to the speaker’s dominance, suggesting that he thrives on sowing discord and turning the population against itself.

A Timeless Entity: The speaker reveals that they have been shaping genetics and ruling worlds long before the current era. This suggests an ancient, possibly immortal force that has orchestrated the rise and fall of civilizations repeatedly. The statement “you are not the first, you are not the last” adds a chilling sense of inevitability, as the population is merely one of many pawns in a grand, unending cycle of manipulation and destruction.

Ritualistic Power and Control: The lyrics incorporate ritualistic imagery—“bring a pound of meat, I want to burn it” and “perform a rite and increase my might”—showing that the speaker’s power is not just technological or physical but mystical and ceremonial. The reference to “Papyrus Excelsi” further suggests that the speaker draws authority from ancient knowledge or sacred texts, positioning himself as a figure of religious or supernatural dominance.

Total Enslavement: The song explores the theme of mental and spiritual enslavement in a “spiral of greed.” The speaker claims absolute control over the population, reducing them to eternal slaves. The command “observe my power” reinforces the idea of a tyrant who relishes demonstrating his dominance and the futility of resistance.

Manipulation and Chaos: The speaker takes credit for “illuminating” minds with the purpose of spreading chaos. This suggests that even human rebellion and destruction are manipulated by this entity, turning the population’s own actions against itself. The declaration “in love and hate, I shed your blood and faith” underscores the totality of the speaker’s influence, extending even to the most intimate and sacred aspects of life.

Prophecy and Sacrifice: The song invokes dark, apocalyptic imagery, with carrion birds circling above and graves waiting for sacrifices. This reinforces the sense of an inevitable end, where the population is reduced to self-destructive violence. The “night dark and silent” is crafted to encourage fear, wisdom, and reflection, suggesting that even the natural world is designed as part of the speaker’s grand plan.

A New Order and the Chosen Few: The lyrics hint at the dawn of a new, faithless era where only a select few will be called before the speaker. This evokes a twisted vision of salvation, where worthiness is determined by submission to the speaker’s power. The revelation of orders through dreams suggests that the chosen ones are guided by the speaker in both conscious and subconscious realms.

Temptation and Submission: The song closes with the speaker beckoning listeners to submit, offering the allure of seeing “what’s beyond this pain.” The imagery of clear water and beautiful fire contrasts purity with destruction, symbolizing the dual nature of the speaker’s rule—both mesmerizing and terrifying.

8. Canto VIII – L’erede:

Summary:

This song presents a vision of a world where traditional values, history, and morality are erased to make way for a new, oppressive order. The chosen knights, once pure, now serve a force that enforces control through violence, manipulation, and ritual. The new order is presented as an inescapable fate, driven by an enigmatic entity who transcends moral boundaries. The population is subjugated by hypnotic symbols and rituals, condemned to eternal suffering in a world where truth is replaced by carefully constructed illusions. Ultimately, the song explores the themes of power, control, and the erasure of history and morality in the service of a dark, unyielding future.

Analysis:

Knights as Enforcers of a Divine Law: The opening lines describe knights of "splendid purity and courage" who wear a "great sparkling mantle," symbolizing their divine purpose and authority. These figures are depicted as chosen servants responsible for imposing an infallible divine law. They have ascended the "greatest holy mountain," a symbolic achievement that signifies their connection to the divine, and have "sent the sacred to oblivion." This suggests that their role is not merely to preserve old traditions but to erase them, paving the way for something new.

A Figure of Fate and Light: The song introduces a mysterious figure who "decides the fate of the last." This figure evokes "his own name and nothing else," indicating an entity whose identity is self-defined, transcending traditional concepts of good and evil. Described as a "ray of light" piercing the dark abyss, this figure symbolizes a new order that transcends moral dualities. The statement that "good and evil have ceased to exist" suggests that this new reality is one where conventional morality is irrelevant.

The Negation of Culture and Sacredness: The song speaks of cultures burying their origins and bloodshed losing their sacredness. This implies that the historical and spiritual foundations of the population have been systematically erased or reinterpreted. The call to "show off your blades and meet your destiny" reflects a fatalistic acceptance of this new reality, where resistance is futile, and the only path forward is through confrontation and death.

Hypnotic Subjugation and Violence: The imagery of being "hypnotized before the great Sacred Tree" and "the Great Pyramid" suggests that the population is spellbound, unable to break free from the control of these powerful symbols. The command to "kill each other" as a priority shows how deeply ingrained violence and self-destruction have become. These symbols—both the Sacred Tree and the Great Pyramid—represent ancient power structures that continue to dominate, compelling people to engage in endless cycles of conflict.

Erasure of Memory and Enforced Rituals: The past is described as being "totally negated" in the "fool memory of the oppressed." This highlights how historical narratives have been distorted or erased by those in power. The oppressed, stripped of their history, are now controlled by royal authorities who demand ritualistic behavior, such as transporting a Relic to a bright temple. This ritual suggests a hollow reverence for symbols of power rather than genuine spirituality. Those who serve are sometimes rewarded, while others are sacrificed, demonstrating the dehumanizing nature of this new order.

Material and Spiritual Realms: The song suggests that while the material world remains unchanged, the spirit and mind are elevated to an "ultimate dimension." However, this "brighter future" is a fiction—an illusion that offers not liberation but eternal affliction. The idea that mortality is replaced by everlasting suffering indicates that this future is not a utopia but a dystopia disguised as progress. The Heir, who proclaims this vision, is a figure of authority whose will shapes the world for centuries, ensuring that this oppressive order endures.

Invocation of Magic and Prophecies: The song references "magic and ancient prophecies" being used to create a foundation for a new doctrine. This suggests that the new order is built on distorted or manipulated interpretations of mystical traditions, using them to legitimize power and control. The chant in Greek—"Το βιβλίο των νεκρών" (The Book of the Dead)—underscores the song’s connection to esoteric and ancient themes, possibly indicating a reference to lost or hidden knowledge being used for dark purposes.

The End of Virtue and Morality: The repetition of the image of a "ray of light" piercing the abyss highlights the finality of this new era. As the flame of virtue "extinguishes," the last remnants of morality fade away, leaving behind a world governed solely by power and control. The end of good and evil marks a shift toward a reality where distinctions between right and wrong no longer matter, only the will of those in power.

9. Canto IX – Gli Occhi dei divini:

Summary:

This song paints a grim and cosmic vision of existence, where population’s fate is controlled by incomprehensible divine forces. The journey toward death is depicted as inevitable and solitary, leading to a revelation that brings only despair. The collapse of the universe, both physically and spiritually, is portrayed as a natural conclusion of an eternal cycle. The song explores themes of existential futility, submission to higher powers, and the erasure of hope and meaning. In the end, the narrator’s role is reduced to that of a passive observer—an insignificant participant in a vast cosmic experiment where extinction and suffering are the only certainties.

Analysis:

Journey Toward a Foreseen End: The opening lines evoke a sense of inevitability as the listener is urged to "walk lightly towards the end" and "take part in the final exaltation." The imagery of "infinite constellations" and a "solitary grave" suggests a journey that’s both cosmic and lonely, culminating in a fate that is both unavoidable and overwhelming. The truth waiting at the end is "unbearable," hinting at a revelation that’s more curse than enlightenment. The "eyes of the divine" accompany the traveler, reinforcing the idea that higher powers observe and possibly orchestrate this path, while the light leaving the face signals the fading of hope and life.

The Death of the Universe and the Self: An eerie, surreal calm descends, suffocating all life and marking the end of existence. The universe is portrayed as "dying," with "collapsed stars" and time itself coming to a standstill. This is the end of an "eternal cycle," suggesting that the universe has reached the conclusion of its natural lifespan. The "unsolvable painful mystery" filled with "numerous secrets" represents the mind’s struggle to comprehend the vastness and futility of it all. The narrator’s mental torment mirrors the physical decay, with everything rotting uncontrollably as the soul abandons the body.

Hopelessness and Corruption: The search for light or hope is fruitless, as "false expectations" and "eternal darkness" have corrupted the mind. The decay is not just physical but spiritual, leading to a complete loss of purpose. The "invisible chains" that block emotions represent a deeper existential paralysis, where conscience is lost, and death seems like the only solution. The collapse of existence is self-created, with the narrator forced to confront the ruins of their own making. The inability to "perceive the distance" between creator and creation hints at a blurred line between human agency and divine control.

Submission to Despair and Cosmic Forces: As fear turns into reality, despair is invoked and blood is offered as a sacrifice. The narrator is chosen for a dark purpose: to "cleanse the impurities" of existence by spreading misery and embracing the void. The physical torment described—muscles burning, flesh carbonizing, and nerves contracting—illustrates a descent into pure agony. The mind, now unreliable and caged, becomes a prison of ceaseless torment where belief and redemption no longer hold any power. The "great castigation" is inevitable, leaving no hope of salvation.

Powerlessness in the Face of the Divine: The spectators are depicted as "impotent in front of such majesty," with emotions devoured by the "ravenous mouths" of the Lords—divine beings who demand complete submission without offering any rewards. The instinct that leads toward the ultimate destination is "misleading," suggesting that free will is an illusion. The "old Gods" represent forces beyond comprehension, indifferent to low beings suffering. The spectator is compelled to submit to these ancient powers, reinforcing the idea that life was not created to understand its purpose or the forces that govern it.

Testimony to the End of Days: The spectator is merely a "minor experiment," an insignificant witness to the extinction of all life. The song portrays population’s fate as one of inevitable decay, with individuals fading "in the ashes of extinction." The sky turning red "in the name of destruction" is a final, apocalyptic image that seals the fate of existence itself. The notion that the narrator was never meant to know or understand suggests that the search for meaning in this world is ultimately futile.

10. Canto X – La scrittura ultima

Summary:

This song portrays the powerful, shadowy entity that manipulates the cosmos from behind the scenes. It thrives on population's ignorance, isolation, and suffering, while presenting itself as a cosmic architect with control over both life and death. The narrative explores themes of hidden knowledge, deception, the cyclical nature of peace and conflict, and the dissolution of false divinities. Ultimately, the entity reveals itself as the supreme, silent force that guards the mysteries of existence, with its power woven into the very fabric of reality.

Analysis:

Hidden Truths and Darkness as Control: The song begins by emphasizing how this powerful entity has deliberately concealed the "most beautiful things" within an alluring fog and darkness. The future of the population is "planted" in this obscurity, highlighting how ignorance and confusion are tools of control. The entity revels in the ignorance of people, finding pleasure in the fact that they are unable to comprehend its signs. There is an undercurrent of suffering that accompanies the search for meaning, implying that knowledge comes at a painful cost.

Isolation and Distance from Divinity: The lines "the closer you are to your fellow men / the further away you will be from me" suggest that connection with other humans distances one from the entity. This creates a paradox: human solidarity leads away from divine understanding, positioning the entity as something that thrives in separation, isolation, and perhaps even discord among people.

Deception and the Lurking Presence: The entity asserts that no being is without intelligence, but "mendacity hides where the light shimmers." This suggests that deception is found where truth is most expected—where the light is brightest. In the shadows, the entity's influence is strongest, urging the listener to follow if they are "worthy." This positions the entity as a guardian of secret knowledge, accessible only to those who are capable of seeing beyond superficial truths.

Honoring the Fallen and the Duality of Peace and War: The entity demands that its fallen servants be honored, noting that while everyone is aware of its existence, no one truly recognizes it. There’s a contradiction in its nature—peace unleashes its wrath, suggesting that tranquility inevitably leads to conflict under its influence. The bloodshed it incites is described as calling for its mercy, revealing a cyclical relationship between violence and salvation.

Cosmic Authority and Hidden Knowledge: The entity declares itself as one of the "architects of the unknown," creators of a sublime but enigmatic "Papyrus." The reference to "pages black like the flies" implies that this sacred text is dark, mysterious, and potentially corrupt or decayed. Despite the darkness, it contains no lies—indicating a paradoxical truth hidden within its ominous nature. The mention of "fragmented souls" awaiting at the gates implies a judgment or selection process for a "new cosmos," with only a few chosen for this next phase. The imagery suggests a transition from one cosmic order to another, overseen by this supreme being.

Descent into Depths and the Dissolution of Divinity: In the depths lie the "divine gifts of the immortals," while on the surface, there’s only "uselessness." This could represent a duality between superficial appearances and the profound truths that exist deeper within existence. The entity predicts that all forms of divinity will "dissolve," particularly those who have worshipped falsehoods. Their dissolution in "fetid liquid" implies a degrading, shameful end, while immense towers, symbols of its power, support the "rising sun," a possible symbol of its ultimate triumph.

Omnipresence and Finality: The entity claims to reside constantly within the minds of people, likening itself to death—the inevitable end that awaits all. It asserts its dominance as the "almighty supreme sovereign," delivering a final, non-negotiable message: it is the guardian of existence itself, with its judgment hidden in "deepest silence." This finality emphasizes the inescapable nature of its control and power, leaving no room for defiance or resistance.