Track By Tracks: HoneyBombs - There Is An Elephant In The Room (2025)

1. Livin’ Among The Lies:

"Livin’ Among The Lies" explores the themes of disillusionment and the search for true meaning. The protagonist feels trapped in a life built on lies and illusions, which have shattered everything they once believed to be real. Every day, they wake up with an inner exhaustion, as if walking on a tightrope, afraid of falling.

Lies and secrets have distanced them from their true self, leading to a kind of split personality—a battle between who they really are and the image others perceive. It’s as if they are prisoners of a past that keeps holding them back, while the future remains an unreachable shadow.

The chorus reflects this conflict: the desire to break free from the lies clashes with the struggle of letting go of the past and the people who have caused pain. But in the end, there is a realization—there is no point in searching for answers where none exist. The final detachment is not just emotional but also spiritual—a step toward rebirth.

2. Astenich:

"Astenich" delves into a deeper, almost mystical inner conflict, where the protagonist feels consumed by forces that torment them. Everything they have given to others has been meaningless, and now they are trapped inside their own mind—a maze that separates them from reality.

The voices in their head could symbolize doubt, fear, or even a higher presence testing them. Others see them as unstable, but in reality, those people are the ones lost in their own empty lives, unable to see the truth. This is where the spiritual dimension comes into play: the protagonist feels like they are burning in hell—not physically, but in a torment of the soul.

The chorus is a cry of despair, but also of awareness. The fire they feel could be the weight of their sins, remorse, or an epiphany pushing them toward change. However, doubt remains: is it all real, or just a creation of their own mind? The phrase "I don’t wanna live forever!" can be interpreted as a rejection of an eternity of suffering or as a longing for spiritual rebirth—a final release.

3. Feels Like Heaven:

"Feels Like Heaven" tells the story of a deep moment of reflection, perhaps a sleepless night where the protagonist faces their past. Time moves forward, and dwelling on past choices won’t change anything. The message is clear: one cannot live in regret; they must move on and seize the opportunities that life presents.

The chorus introduces a contrast between Heaven and Hell, light and darkness. Pain and suffering are not eternal, while rebirth and inner freedom can be achieved. This passage could symbolize a spiritual transformation—letting go of the past to embrace a new beginning.

In the second verse, the song takes on a more motivational tone: live as if each day were your last, without fear of obstacles. Mistakes do not define failure; they are part of the journey. There’s an invitation to keep looking forward and not become trapped by past regrets.

The final section emphasizes the possibility of rising again, stronger than before. Despite lost time or past mistakes, there is always a chance to stand up and change. The idea of Feels like Heaven in the chorus is not a literal reference but rather a feeling of peace and freedom that comes only when one lets go of the weight of the past.

4. Hidden In Me:

"Hidden In Me" delves into the internal struggle between the desire for redemption and the darkness lurking within the protagonist’s soul. The song begins with a sense of sadness and emptiness, as if the stories of his life have lost meaning, fading into nothing without a melody. There is a constant battle between emotions and sanity, a torment that manifests in thoughts and the lies one has been forced to believe.

The chorus introduces a powerful image: an angel falling down, symbolizing a spiritual or moral descent. The protagonist finds himself on a train track, driving an unstoppable train—a journey toward an inevitable fate. There is also an element of manipulation: telling lies to someone who accepts them without hesitation, as if trapped in a distorted reality.

In the second verse, the protagonist seems to long for a connection with someone special—someone who brings comfort and hope. However, a sense of condemnation emerges: he is like a doctor who cannot cure his own illness, an internal conflict that continues to grow and consume him from within. There is a tension between love and destruction, between the desire to open his mind and the weight of his past actions.

The final part of the song reaches a dark climax, with the protagonist feeling lost in the darkness, far beyond the sun. The voices in his head scream, representing guilt, madness, or perhaps the call of the souls he has harmed. The chorus repeats, reinforcing the cycle of lies and self-deception, as if he is trapped in a fate he cannot escape.

5. Spit On You:

"Spit On You" is a cry of rebellion and contempt against a world that tries to impose its rules and values. The protagonist presents himself as a tormented soul, aware of his flaws and the chaos raging in his mind. He lives intensely, as if every breath were a sip of champagne, yet he feeds on mud and cigarettes, turning misery into luxury. Here, a bitter irony emerges: what’s the point of honesty in a corrupt world?

In the second verse, the imagery becomes even more provocative. The protagonist puts on exaggerated makeup, dresses like a prophet of another god, carrying both a staff to walk and a sword in his spine—symbols of his internal struggles. People tell him that everything is fine, but in reality, he is just swallowing their lies and disgust.

The chorus is an act of absolute defiance: spitting on those who represent power, money, and hypocrisy. The protagonist rejects material values, sees wealth as a wound in his eyes, and forces others to bow where he walks. It’s an anthem of revolt against those who try to control him, a total rejection of conformity.

6. Berserk:

"Berserk" is a song that delves into the internal conflict and descent into darkness, like a spiral pulling the soul into madness. The protagonist finds himself facing his own loneliness and confronting the evil within, symbolized by the figure of the "prince of evil" knocking at his door. The lyrics question the presence of God, wondering whether there really is someone above him to guide him, or if everything he's endured is the result of his choices and inner demons.

The imagery evokes a constant struggle between light and darkness, between the past and the present. The "northern sky" and the "fire burning life" are symbols of pain and death, but also of an unyielding quest for freedom. The sense of being trapped within oneself and paying a high price to try and break free emerges strongly. The past and memories call to the protagonist, but not reassuringly; they serve as a weight that must be faced in order to move forward.

In the chorus, the "price to pay to be free" is the central theme, reflecting a battle with one’s emotions, past, and destiny. This "price" is something inevitable, but one the protagonist must face in order to find liberation, even if it means losing oneself in the darkness.

7. Awareness Birth:

"Awareness Birth" is a song that delves into the theme of inner duality and the birth of a new awareness, symbolized by the figure of Grace. The protagonist seems to struggle with two opposing parts of himself: Jane, whom he tries to deny, and Grace, who waits for the right moment to emerge. These two figures represent conflicting forces within the protagonist's mind: one tied to the day, the other to the night. The song raises the existential question of who the voice inside us truly is, and how emotions, inner struggles, and decisions shape our perception of reality.

Grace, born from the solitude of a dry heart, represents a darker and more painful aspect of the protagonist—a figure emerging during a crisis, in a "ship of crimes," symbolizing a descent into despair and isolation. Grace’s image is one of a force that takes control, closing the doors to the known world and forcing the protagonist to face a part of himself he had never accepted before. In the chorus, the intensity of the connection between the protagonist and Grace is palpable. The suffering and inner conflict manifest in the verses describing screams within the "poor restless soul" and the intensifying anger flowing through the veins, like a dark force driving the protagonist.

The song culminates in the realization that Grace is not just an external figure, but an intrinsic part of the individual—a hidden aspect that ultimately defines who we truly are.

8. Ascension:

The song "Ascension" delves into an internal struggle between good and evil, divine judgment, and the quest for salvation. The line "No, I’ve never met you before!" serves as a moment of revelation and rejection, almost as a warning about the fate awaiting those who haven’t truly believed. This line is a direct reference to the biblical passage in Matthew 7:23, where Jesus says: "Then I will tell them plainly, ‘I never knew you. Away from me, you evildoers!’". In that passage, God rejects those who have not had a true connection with Him, despite their words or deeds. In the song, this line represents a moment of realization for the protagonist, who faces the truth of their fate: despite their quest for paradise, they have been turned away. The "paradise" they long for seems unattainable, and their struggle becomes futile without true faith.

9. Insane’s Mind:

"Insane's Mind" is a journey into the tormented soul of someone slowly losing touch with reality. The songwriter delves into inner struggle, suffering, and the desire to confront a pain that seems unmanageable. The song begins with the narrator feeling lost, distant from their inner self, unable to find an explanation for the chaos surrounding them. The line “Away too long, from my spirit inside. No one, no more can explain my life” reflects a long separation from oneself, where the protagonist no longer recognizes their own life.

The song’s atmosphere is thick with anxiety, as the protagonist walks bound, as if imprisoned in a condition they cannot escape. The feeling that madness becomes a refuge from their emotions is powerful. The line “It seems so easy to say, odd enough, this is what makes me alive!” illustrates how madness has become an essential part of their existence. The darkness within them is seen as a force that makes them feel alive, but at the same time, it’s also what extinguishes them, like darkness that turns off a light.

The repetition of the line “I’m waitin’ your betraye!” emphasizes the anticipation of a betrayal, a confrontation with the idea that the loss of one’s sanity is inevitable, and that it is the fear of this betrayal that gives meaning to their existence. Every night, every heartbeat, every step brings them closer to the moment when they will face their own madness. The song expresses the anticipation of a betrayal, but also a certain resignation to this condition.

10. Falling Water:

"Falling Water" is a deep reflection on inner transformation, a journey through pain and the search for new peace. The lyrics paint the image of someone who has lost any sense of satisfaction in their words and actions while watching another person live with a serenity that feels unreachable. The opening line, “I feel no more satisfaction in what I say” introduces the emptiness and emotional distance the protagonist is experiencing.

The element of water is central to the song’s metaphor: the protagonist is falling into the depths, yet at the same time, they are thirsty for something they cannot grasp—perhaps love, understanding, or acceptance. The chorus “Falling, into the deep of this / Water, I’m so thirsty for / Loving, the way you live your life” expresses the contrast between letting go and the desire to learn how to live like the other person—fearlessly.

There is a strong sense of inner struggle, especially in the lines “In the night, crying now, lying down / Trying to make a different choice”, suggesting an attempt to overcome past ghosts and free oneself from fears that have shaped their life. The final farewell, “Goodbye to all the ghosts inside my head” marks the moment of rebirth, of detachment from everything that once kept them trapped.

"Falling Water" is a song about surrender—not as defeat, but as acceptance and healing. An emotional journey that culminates in allowing oneself to be carried away, with the awareness that sometimes, it is by falling that one finds true security.

11. Thanatophobia:

"Thanatophobia" is a song that delves into the terror of death and the relentless presence of what we try to avoid. The lyrics shift between the protagonist’s internal dialogue and a dark entity tormenting them, the embodiment of their deepest fears. The opening line, “Wake up Mr. Jane, it’s your Grace!” immediately sets a tone of unease, as if death itself were speaking directly to its victim, taking control.

The essence of the song lies in deception and self-deception: “I’m a swindler, I speak to your heart, / With the lies that you love so much.” The fear of death is so deeply ingrained that it becomes part of the person, fed by illusions and false hopes. The chorus obsessively repeats the acknowledgment of this fear, “You pray every day that I disappear / Every day you try not to die”, emphasizing the protagonist’s desperation to escape the inevitable, while the tormenting voice knows them better than anyone else.

There is a shift in the third verse, where the protagonist seems to challenge this dark force: “Grace, tell me what you want from me? / Tell me why you stole my life?” Here, a desire for rebellion emerges, but it is quickly followed by surrender: “Now it’s time to let you die!”, signaling that fear has already won, because fighting it means acknowledging it, and acknowledging it means giving it power.

"Thanatophobia" is a journey into the subconscious of someone battling the terror of the unknown, caught between denial and acceptance, between escape and surrender. The cyclic nature of the chorus leaves the listener with an oppressive feeling, as if fear is destined to remain forever.

12. Lothario Foppish:

"Lothario Foppish" is a song that embodies the seductive and manipulative power of a dark entity, a presence that ensnares its victim with sweet words and ambiguous promises. Right from the start, the protagonist asserts himself with unwavering confidence: “Here I am! You will be mine, maybe just another day.” His determination is relentless, and his desire leaves no room for refusal. The lyrics convey the victim’s inner turmoil: their heartbeat quickens, their breath grows short, while their mind is trapped in the terrifying presence of this being. The chorus is a sinister invocation: “I need you to give me your soul now! / Stay away from the light and come!” The entity is not just a predator but a master of illusion, someone who has waited for his prey and now claims it.

The second half of the song introduces a deeper level of manipulation: “I am your fire, / But I am a liar.” Here, the protagonist reveals himself for what he truly is—an impostor who disguises his real purpose behind a charming facade. The phrase “I will show you the shape of God” promises revelations and power, but in the end, it all comes down to absolute control over the victim: “You’re my guest, / But don’t forget / I’m living in your heart!”

"Lothario Foppish" depicts the encounter with an irresistible yet dangerous figure, who, through charm and deception, lures the listener further from the light, ultimately trapping them in his dark world.

13 .Pavor Nocturnus:

"Pavor Nocturnus" takes the listener on a journey through the horror of sleep paralysis—an experience where the mind is awake, yet the body is frozen in complete powerlessness. The song opens with an eerie voice calling from the depths of darkness: “Again, this voice calling me from the deepest darkness.” The terror is not just mental but physical—muscles tighten, breath breaks, and agony strips away all control.

The feeling of falling becomes a symbol of paralyzing fear: “I feel like I'm falling, my legs give way, fear’s holdin’ me back!” This is not just a nightmare; it’s an abyss that consumes all sense of security. The chorus amplifies this sense of helplessness: “This darkness hangs over me, the light is so far away”. Darkness is a suffocating force, while light—the only salvation—feels impossibly distant. Time stretches infinitely, making the night feel like a light-year away from home.

In the second verse, a deeper struggle emerges. The protagonist feels hunted since birth, as if a dark force has always sought to claim his soul: “Since I was born you try to take my life, playing against every rule”. The song turns even more critical, exposing the hypocrisy of those who preach love while spreading hatred: “You show hatred for the love you profess!”.

The chorus repeats with growing intensity, emphasizing the anguish of a soul trapped in an eternal night. "Pavor Nocturnus" is a tale of deep fear, but also of resistance against the darkness trying to consume the spirit.

14. Antinomy:

"Antinomy" explores the internal struggle between light and darkness, the search for truth, and the weight of one’s sins. The song opens with a voice left behind, an echo of the past haunting the protagonist: “There’s a voice I left behind, it's to live or it's to die. Which's the meaning of this life?” Shadows move along his path, ready to pull him underground, representing sins or fears he cannot escape.

Desperation takes over: “Am I falling? Is my head lowering? I'm slowly die.” This plea for help is repeated throughout the song: “I need you now in my life.”

Over the years, he has ignored the things he left behind, living as if nothing mattered: “Through the years I fell down, I didn't care what was left behind, nothing really mattered to me.” But as he searched far and wide for help, he discovered the answer was within him. Yet the pain is both physical and mental: “My body is aching, my spine is breaking. He's torn my soul and thrown it away.”

The chorus is a prayer to God, a struggle between acceptance and despair: “God knows I tried, but it's too hard for me, for what I am.” There is both resignation and faith, a desperate desire for redemption: “But I'm here, Father! Kneeling for forgiveness.”

A voice of hope answers with a promise: “Trust my seek, I'll guide your way, your ship won't sink again. Trust in me, my word is knowledge!” Yet, the conflict remains: the protagonist believes in good but feels tortured every night: “I believe that good is right, but he's tortured me every night, telling me that truth was a lie!”

The song climaxes with a profound realization: life is fragile, a thin wire to walk on: “Everybody told me that sometimes life seems to be like a tiny wire to walk on.” It ends with one final plea—an outcry for forgiveness, a cry that echoes between faith and torment.